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In this excellent recording of Foer's second novel, Woodman artfully captures the voice of nine-year-old Oskar Schell, the precocious amateur physicist who is trying to uncover clues about his father's death on September 11. Oskar—a self-proclaimed pacifist, tambourine player and Steven Hawking fanatic—is an ideal combination of smart-aleck maturity and youthful innocence. Articulating the large words slowly and thoroughly with merely a hint of childishness, Woodman endearingly conveys the voice of your child who is trying desperately to sound as an adult. The parallel story lines, beautifully narrated by Ferrone and Caruso, add variety to the imaginative and captivating plot, but they do not translate as seamlessly into audio format. Ferrone's wistful growl is ideal to the voice of the man who is actually able to will no longer speak, but as the listener actually gets to hear the words that the character is only able to convey by writing over a notepad, his frustrating silence is less profound. Caruso's brilliant performance as a possible adoring grandmother can also be noteworthy, though the meandering stream-of-consciousness style of her and Ferrone's sections are sometimes hard to follow along with on audio. Although it's Oskar's poignant, laugh-out-loud narration that make this audio production indispensable.
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Adult/High School-Oskar Schell just isn't your average nine-year-old. A budding inventor, he spends his time imagining wonderful creations. Also, he collects random photographs for his scrapbook and sends letters to scientists. When his father dies inside the World Trade Center collapse, Oskar shifts his boundless energy to some search for answers. He finds an important hidden as part of his father's items that doesn't fit any lock inside their The big apple City apartment; its container is labeled "Black." Using flawless kid logic, Oskar sets out to communicate with everyone in Ny City with the last name of Black. A retired journalist who keeps a card catalog with entries for all he's ever met is simply one from the colorful characters the boy meets. As with Things Are Illuminated (Houghton, 2002), Foer requires a dark subject and works in offbeat humor with puns and wordplay. But Extremely Loud pushes further with the inclusion of photographs, illustrations, and mild experiments in typography reminiscent of Kurt Vonnegut's Breakfast of Champions (Dell, 1973). The humor works as being a deceptive, glitzy cover for a fairly serious tale about loss and recovery. For balance, Foer includes the subplot of Oskar's grandfather, who survived the World War II bombing of Dresden. Even if this story is nearly as evocative as Oskar's, it lets you do carry forward and fasten firmly to the rest from the novel. The two stories finally intersect in a powerful conclusion that can make even one with the most jaded hearts fall.-Matthew L. Moffett, Northern Virginia Community College, Annandale
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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